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You've selected:
Mass of the Resurrection
Sheetmusic to print
25 sheet music found
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1
Mass of the Resurrection (Downloadable Organ/Choral Score)
Choral SATB
SATB choir and organ, or brass quintet, timpani, and organ - Medium - Digital Download …
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SATB choir and organ, or brass quintet, timpani, and organ - Medium - Digital Download SKU: MQ.8325-E Composed by Robert Lehman. Complete Mass, Easter, 20th Century. Downloadable organ/choral score. 16 pages. E. C. Schirmer Music Company - Digital #8325-E. Published by E. C. Schirmer Music Company - Digital (MQ.8325-E). English.The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, (the great Hymn of Thanksgiving, “We praise thee, O God...”),* the Great Alleluia which is sung thrice at the Great Vigil of Easter, and the splendid Easter Sequence Victimæ Paschali laudes or “Christians, to the Paschal Victim…” These three Easter themes permeate the Mass thus joining us with those of past centuries who have sung these same melodies to celebrate the resurrection of the Lord Jesus Christ who has trampled down death and won for us the life eternal. Resurrexit Christi! Alleluia! -Robert W. LehmanDuration: 7:00.
$2.85
2.66 €
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Choral SATB
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Robert Lehman
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Mass of the Resurrection
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mass of the Resurrection
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1108978 By Stephen Lay. By S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1108978 By Stephen Lay. By Stephen Lay. Arranged by Stephen Lay. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 23 pages. Stephen Lay Music #711522. Published by Stephen Lay Music (A0.1108978). This is an original setting of the Roman Catholic Mass. It is written for cantor, SAB choir, assembly and piano. Stephen Lay has set the prayer to very upbeat and singable music. This fresh adaptation is evocative of the text and a delight to sing. It is suitable for any Roman Catholic Mass wether Ordinary Time, Advent, Christmas, Lent or Easter seasons. Includes the following Ordinary parts of the Mass: Lord Have Mercy, Glory to God, Gospel Acclamation, Lenten Gospel Acclamation, Holy Holy Holy, Mystery of Faith (three options), Great Amen and Lamb of God. LEAD SHEET: https://www.sheetmusicplus.com/title/mass-of-the-resurrection-lead-sheet-digital-sheet-music/22355089 FLUTE: https://www.sheetmusicplus.com/title/mass-of-the-resurrection-flute-digital-sheet-music/22355094 PEW CARD: https://www.sheetmusicplus.com/title/mass-of-the-resurrection-pew-card-digital-sheet-music/22355063.
$6.50
6.06 €
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Piano, Voice
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Stephen Lay
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Mass of the Resurrection
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Stephen Lay Music
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SheetMusicPlus
Mass of the Resurrection PEW CARD
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1108982 By Stephen Lay…
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1108982 By Stephen Lay. By Stephen Lay. Arranged by Stephen Lay. Christian,Contemporary,Praise & Worship,Religious,Sacred. 2 pages. Stephen Lay Music #711526. Published by Stephen Lay Music (A0.1108982). This is the worship aid for the Mass of the Resurrection by Stephen Lay, an original setting of the Roman Catholic Mass. It is written for cantor, SAB choir, assembly and piano. Stephen Lay has set the prayer to very upbeat and singable music. This fresh adaptation is evocative of the text and a delight to sing. It is suitable for any Roman Catholic Mass wether Ordinary Time, Advent, Christmas, Lent or Easter seasons. Includes the following Ordinary parts of the Mass: Lord Have Mercy, Glory to God, Gospel Acclamation, Lenten Gospel Acclamation, Holy Holy Holy, Mystery of Faith (three options), Great Amen and Lamb of God.
$1.99
1.86 €
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Stephen Lay
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Mass of the Resurrection PEW CARD
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Stephen Lay Music
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SheetMusicPlus
Mass of the Resurrection LEAD SHEET
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.1109004 By Stephen Lay. By Stephe…
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C Instrument - Level 3 - Digital Download SKU: A0.1109004 By Stephen Lay. By Stephen Lay. Arranged by Stephen Lay. Christian,Contemporary,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 14 pages. Stephen Lay Music #711547. Published by Stephen Lay Music (A0.1109004). This is the LEAD SHEET for an original setting of the Roman Catholic Mass. It is written for cantor, SAB choir, assembly and piano. Stephen Lay has set the prayer to very upbeat and singable music. This fresh adaptation is evocative of the text and a delight to sing. It is suitable for any Roman Catholic Mass wether Ordinary Time, Advent, Christmas, Lent or Easter seasons. Includes the following Ordinary parts of the Mass: Lord Have Mercy, Glory to God, Gospel Acclamation, Lenten Gospel Acclamation, Holy Holy Holy, Mystery of Faith (three options), Great Amen and Lamb of God.
$6.50
6.06 €
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C Instruments
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Stephen Lay
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Mass of the Resurrection LEAD SHEET
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Stephen Lay Music
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SheetMusicPlus
Christ Our Passover: Fraction Anthem (Choral Score)
Choral SATB
SATB choir and organ, with optional brass quintet and timpani (Instrumental Parts include:…
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SATB choir and organ, with optional brass quintet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F, Trombone I and II, Timpani, Organ) - Medium - Digital Download SKU: MQ.80-325-E Composed by Robert Lehman. 8 pages. MorningStar Music Publishers - Digital Sheet Music #80-325-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-325-E). English.The text is from The Book of Common Prayer, the music is original. A melismatic chant-like opening builds steadily to a dramatic declamation of the text Therefore let us keep the feast. Then the chant line continues softly in the accompaniment as the final alleluias are sung. The organ accompaniment is quite sufficient but can be augmented with Brass Quintet. From Mass of the Resurrection (ECS 8325).
$2.25
2.1 €
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Choral SATB
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Robert Lehman
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Christ Our Passover: Fraction Anthem
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Mass of the Resurrection (Downloadable Full Score)
Choir and various instruments - Digital Download SKU: MQ.8325A-E Composed by Robert…
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Choir and various instruments - Digital Download SKU: MQ.8325A-E Composed by Robert Lehman. Full score. 22 pages. E. C. Schirmer Music Company - Digital #8325A-E. Published by E. C. Schirmer Music Company - Digital (MQ.8325A-E).
$22.00
20.52 €
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Robert Lehman
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Mass of the Resurrection
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mass of the Resurrection (Downloadable Instrumental Parts)
Choir and various instruments - Digital Download SKU: MQ.8325B-E Composed by Robert…
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Choir and various instruments - Digital Download SKU: MQ.8325B-E Composed by Robert Lehman. Instrument parts. 23 pages. E. C. Schirmer Music Company - Digital #8325B-E. Published by E. C. Schirmer Music Company - Digital (MQ.8325B-E).
$25.00
23.32 €
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Robert Lehman
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Mass of the Resurrection
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Missa paschalis
Violin (band part)
Violin I - Digital Download SKU: S9.Q19185 Composed by Andreas Pieper. This edition…
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Violin I - Digital Download SKU: S9.Q19185 Composed by Andreas Pieper. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q19185. Published by Schott Music - Digital (S9.Q19185). Latin • German.Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection. Thanks to its variable instrumentation, calmness and simplicity as well as its vocally rewarding voice leading, the mass can be performed throughout the ecclesiastical year.
$4.99
4.65 €
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Violin (band part)
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Andreas Pieper
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Missa paschalis
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Schott Music - Digital
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SheetMusicPlus
Missa paschalis
Viola (band part)
Viola - Digital Download SKU: S9.Q19187 Composed by Andreas Pieper. This edition: s…
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Viola - Digital Download SKU: S9.Q19187 Composed by Andreas Pieper. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q19187. Published by Schott Music - Digital (S9.Q19187). Latin • German.Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection. Thanks to its variable instrumentation, calmness and simplicity as well as its vocally rewarding voice leading, the mass can be performed throughout the ecclesiastical year.
$4.99
4.65 €
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Viola (band part)
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Andreas Pieper
#
Missa paschalis
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Schott Music - Digital
#
SheetMusicPlus
Missa paschalis
Violin (band part)
Violin II - Digital Download SKU: S9.Q19186 Composed by Andreas Pieper. This editio…
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Violin II - Digital Download SKU: S9.Q19186 Composed by Andreas Pieper. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q19186. Published by Schott Music - Digital (S9.Q19186). Latin • German.Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection. Thanks to its variable instrumentation, calmness and simplicity as well as its vocally rewarding voice leading, the mass can be performed throughout the ecclesiastical year.
$4.99
4.65 €
#
Violin (band part)
#
Andreas Pieper
#
Missa paschalis
#
Schott Music - Digital
#
SheetMusicPlus
Missa paschalis
Choral SATB
Solo (soprano), mixed choir (SATB), solo-instrument (violin or flute) and organ or ensembl…
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Solo (soprano), mixed choir (SATB), solo-instrument (violin or flute) and organ or ensemble (strings) - Digital Download SKU: S9.Q19184 Composed by Andreas Pieper. This edition: organ score. Downloadable, Organ reduction. Schott Music - Digital #Q19184. Published by Schott Music - Digital (S9.Q19184). Latin • German.Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection. Thanks to its variable instrumentation, calmness and simplicity as well as its vocally rewarding voice leading, the mass can be performed throughout the ecclesiastical year.
$7.99
7.45 €
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Choral SATB
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Andreas Pieper
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Missa paschalis
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Schott Music - Digital
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SheetMusicPlus
Missa paschalis
Choral SATB
Solo (soprano), mixed choir (SATB), solo-instrument (violin or flute) and organ or ensembl…
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Solo (soprano), mixed choir (SATB), solo-instrument (violin or flute) and organ or ensemble (strings) - Digital Download SKU: S9.Q19111 Composed by Andreas Pieper. This edition: full score. Downloadable, Full score. Schott Music - Digital #Q19111. Published by Schott Music - Digital (S9.Q19111). Latin • German.Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection. Thanks to its variable instrumentation, calmness and simplicity as well as its vocally rewarding voice leading, the mass can be performed throughout the ecclesiastical year.
$27.99
26.11 €
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Choral SATB
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Andreas Pieper
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Missa paschalis
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Schott Music - Digital
#
SheetMusicPlus
Missa paschalis
Cello/double bass - Digital Download SKU: S9.Q19188 Composed by Andreas Pieper. Thi…
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Cello/double bass - Digital Download SKU: S9.Q19188 Composed by Andreas Pieper. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q19188. Published by Schott Music - Digital (S9.Q19188). Latin • German.Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection. Thanks to its variable instrumentation, calmness and simplicity as well as its vocally rewarding voice leading, the mass can be performed throughout the ecclesiastical year.
$4.99
4.65 €
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Andreas Pieper
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Missa paschalis
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Schott Music - Digital
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SheetMusicPlus
Windows of Grace: 3. There Stood His Mother (Downloadable)
Choral 2-part
2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SK…
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2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SKU: MQ.7997-E Composed by Frank Pesci. Holy Week/Three Days, 21st Century. Instrument parts. 7 pages. Duration 3 minutes, 17 seconds. E. C. Schirmer Music Company - Digital #7997-E. Published by E. C. Schirmer Music Company - Digital (MQ.7997-E). English.Written between November 2007 and August 2009, this set of four motets was written for and dedicated to the Choir of Grace Episcopal Church in Newton, Massachusetts, and its director, Dr. Linda J. Clark. The choir sits facing four stained glass windows, each depicting a scene from Christ’s life: birth, baptism, death, and resurrection. Each motet is a choral meditation on one of these windows. The set is written for a choir of any size and composition that can be evenly divided into two voice parts.There Stood His Mother (Stabat Mater): Thick dissonances collide and intertwine in this meditation on a mother’s love under a shroud of grief. Duration: 3:17.
$2.25
2.1 €
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Choral 2-part
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Frank Pesci
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Windows of Grace: 3. There Stood His Mother
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Windows of Grace: 1. O Glorious Mystery (Downloadable)
2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SK…
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2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SKU: MQ.7995-E Composed by Frank Pesci. Christmas, 21st Century, Faith. Instrument parts. 8 pages. Duration 2 minutes, 46 seconds. E. C. Schirmer Music Company - Digital #7995-E. Published by E. C. Schirmer Music Company - Digital (MQ.7995-E). English.Written between November 2007 and August 2009, this set of four motets was written for and dedicated to the Choir of Grace Episcopal Church in Newton, Massachusetts, and its director, Dr. Linda J. Clark. The choir sits facing four stained glass windows, each depicting a scene from Christ’s life: birth, baptism, death, and resurrection. Each motet is a choral meditation on one of these windows. The set is written for a choir of any size and composition that can be evenly divided into two voice parts.O Glorious Mystery (O magnum mysterium): A lilting, pastoral accompaniment supports reverent, lyrical melodic lines, eliciting the simplicity and awe of the manger scene. Duration: 2:46.
$2.25
2.1 €
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Frank Pesci
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Windows of Grace: 1. O Glorious Mystery
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Windows of Grace: 2. All Who Are Baptized in Christ (Downloadable)
2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SK…
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2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SKU: MQ.7996-E Composed by Frank Pesci. Baptism of Our Lord, 21st Century. Instrument parts. 8 pages. Duration 2 minutes, 46 seconds. E. C. Schirmer Music Company - Digital #7996-E. Published by E. C. Schirmer Music Company - Digital (MQ.7996-E). English. Galatians 3:27; Pslams 28, 29:3,8.Written between November 2007 and August 2009, this set of four motets was written for and dedicated to the Choir of Grace Episcopal Church in Newton, Massachusetts, and its director, Dr. Linda J. Clark. The choir sits facing four stained glass windows, each depicting a scene from Christ’s life: birth, baptism, death, and resurrection. Each motet is a choral meditation on one of these windows. The set is written for a choir of any size and composition that can be evenly divided into two voice parts.voice parts.All Who Are Baptized in Christ (Omnes in Christo baptizati): A running sixteenth note figure lends an underlying fluidity, which alternates with declarative moments of joy. Duration: 2:46.
$2.25
2.1 €
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Frank Pesci
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Pslams 28, 29:3,8
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Windows of Grace: 2. All Who Are Baptized in Christ
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Windows of Grace: 4. O Sons and Daughters (Downloadable)
2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SK…
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2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SKU: MQ.7998-E Composed by Frank Pesci. Easter, 21st Century. Instrument parts. 8 pages. Duration 2 minutes, 20 seconds. E. C. Schirmer Music Company - Digital #7998-E. Published by E. C. Schirmer Music Company - Digital (MQ.7998-E). English.Written between November 2007 and August 2009, this set of four motets was written for and dedicated to the Choir of Grace Episcopal Church in Newton, Massachusetts, and its director, Dr. Linda J. Clark. The choir sits facing four stained glass windows, each depicting a scene from Christ’s life: birth, baptism, death, and resurrection. Each motet is a choral meditation on one of these windows. The set is written for a choir of any size and composition that can be evenly divided into two voice parts.O Sons and Daughters (O filli et filliæ): The entire piece simulates the simultaneous ringing of bells to joyously declare the return of the King. Duration: 2:20.
$2.25
2.1 €
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Frank Pesci
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Windows of Grace: 4. O Sons and Daughters
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
82.08 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
149.25 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
80.21 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Christus Resurrexit (from Missa Resurrexit)
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.866556 Composed by Richard Cook and …
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Choral Choir (SATB) - Digital Download SKU: A0.866556 Composed by Richard Cook and Katherine ash. Christian,Contemporary,Sacred,Spiritual. Octavo. 6 pages. RCM Enterprises #13455. Published by RCM Enterprises (A0.866556). A gentle approach to the Easter message, the first movement (Pascal Troparion) from the new choral mass, Missa Resurrexit gently announces the resurrection of Jesus, reflecting the ease loving portrayed in the scriptures. Accompanied by a string orchestra and piano. Medium to Advanced.
$3.00
2.8 €
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Choral SATB
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Richard Cook and Katherine ash
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Christus Resurrexit
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RCM Enterprises
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SheetMusicPlus
Freu dich, du werte Christenheit
Choral SATB
Mixed choir (SATB) - intermediate - Digital Download SKU: S9.Q21180 Motette nach…
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Mixed choir (SATB) - intermediate - Digital Download SKU: S9.Q21180 Motette nach Johannes de Cleve. Composed by Hermann Schroeder and Johannes de Cleve. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 5 minutes. Schott Music - Digital #Q21180. Published by Schott Music - Digital (S9.Q21180). German.Hermann Schroeder (1904-1984) is one of the most important composers of Catholic church music in the 20th century. Apart from more than 100 organ works and masses, he also wrote numerous motets. The present four-part motet Freu dich, du werte Christenheit for mixed a cappella choir (SATB) was written in 1975. This old Resurrection song from the 16th century is based on a setting by the Franco-Flemish composer Johannes des Cleve (around 1529-1582) which has been skillfully transferred by Schroeder to the modern age with subtle harmonies. The tenor voice sings the cantus firmus and is embedded in archaic-seeming sounds typical of Schroeder by the other voices. This three-verse Resurrection song of about five minutes is perfect for church services at Easter.
$2.99
2.79 €
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Choral SATB
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Hermann Schroeder and Johannes de Cleve
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Freu dich, du werte Christenheit
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Schott Music - Digital
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SheetMusicPlus
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